Self-portrait,1850
Gustave Moreau
古斯塔夫·莫罗
法国画家, (1826-1898)
—ArtYouhua—
作品欣赏
The Daughters of Thespius,1853
象征主义画家古斯塔夫·莫罗(GUSTAW MOREAN, 1826-1898)出生于巴黎一个建筑师的家里。莫罗绘画中的色彩，光怪陆离，深沈而又闪烁，他主张美的色调不可能从照抄自然中得到，绘画必须依靠思索、想象和梦幻才能获得。莫罗画的大多是宗教传说和神话故事，他把作品置身于神话与梦幻的世界中，用虚幻的主题构思和矫饰的形象，传达浓厚的、怪异的神秘主义情调。
Horseman,1852-1854
1846年，莫罗进入巴黎美术学校学习，他常到德拉克洛瓦的画室求教，与德拉克洛瓦的学生夏塞里奥成为朋友。受其影响，莫罗对古典派的技巧和浪漫派的热情兼收并蓄，既有古典派的传统造型能力，又善于运用华丽灿烂的色彩。
The Young Man and Death,1865
1857年莫罗到意大利学习，临摹卡拉瓦乔、米开朗基罗的作品，60年代又致力于东方艺术研究，日本的浮士绘、印度和波斯的细密画都对莫罗的艺术风格有很大影响。70年代，印象主义绘画兴起，莫罗坚定地站在反对印象主义的立场，指责印象主义者的艺术只不过是浅薄的、记录式的、毫无思想的艺术，莫罗主张艺术应当是思辨的、富于哲理的思想的体现。
Abduction of the Young Venetian Woman by Cypriot Pirates,1851
莫罗时代的法国，因为革命的失败和拿破仑主义的幻灭，加之普法战争的影响，人们对社会现实感到绝望，人心的颓废不可避免的表现在艺术上。
Apollo and The Nine Muses,1856
莫罗前半生几乎是个与社会隔绝的人，他为了他的艺术选择了孤独的生活。莫罗曾经在意大利旅居，这对他有很大影响，绘画技法上使他倾向与古典主义，思想上则深受泛神论影响。后来莫罗成为教师，显示出极大的才能，野兽派的创始者马蒂斯是他最有名的弟子之一。
Alice,1855
莫罗绘画的题材不仅取材于西方古典神话故事，也取材于印度神话故事。他的作品具有东方式的奢华，但多现出诡异的神秘性，缺乏圣洁的感情，因此使观者难以因感官的愉悦而生亲切之情，但莫罗的作品有一种令人不能忽视的力量。莫罗的技法是古典主义的，思想是浪漫主义的，而表现出来的却是魔幻主义的。
Portrait of Eugene `Lacheur,1852
Two Modern Horsewomen,1852
Song of songs,1853
Pieta,1854
The Chimera,1856
Hesiod and the Muse,1857
Copy of Raphael's Cherub,1858
Male nude and other studies,1858
Portrait of Degas in Florence,1858
View of the Villa Borthese,1858
Degas portrait in the Uffizi,1859
Death Offers Crowns to the Winner of the Tournament,1855-1860
Hesiod and the Muses,1860
Male nude,1860
Removal Dejanira,1860
Study for the head of `Oedipus,1860
The Suitors,1862
The Sphinx,1864
Thracian Girl Carrying the Head of Orpheus,1864
View of the Garden of Madame Aupick, Mother of Baudelaire,1864
After,1865
Diomedes Being Eaten by his Horses,1865
Orpheus,1865
The Birth of Venus,1866
The Chimera,1867
The Chimera,1867
The Voices,1867
Pieta,1867
Promethée,1868
The Muses Leaving their Father Apollo to Go Out and Light the World,1868
The Poet and the Saint,1868
Perseus and Andromeda,1867-1869
Saint George,1869
Saint Sebastian being Tended by Saintly Women,1869
The Abduction of Europa,1869
The Martyred St. Sebastian,1869
Death of Sappho,1870
Hesiod and the Muse,1870
Perseus and Andromeda,1870
Saint Sebastian and His Executioners,1870
The Good Samaritan,1870
Sappho on the Cliff,1872
Sappho on the Rocks,1869-1872
Self-portrait,1872
The Sirens,1872
Saint Margaret,1873
The Execution of Messalina,1874
Desdemona,1875
Saint Sebastian,1870-1875
Salome,1875
Salome (Entering the Banquet Room),1875
Young Thracian Woman Carrying the Head of Orpheus,1875
Leda,1865-1875
Hercules and the Hydra Lernaean,1876
Ibis,1876
Salome Dancing before Herod,1876
Salome Carrying the Head of John the Baptist on a Platter,1876
Salome in Prison,1873-1876
St. Sebastian and the Angel,1876
The Apparition,1876
The Death of Sappho,1873-1876
The Apparition,1876
Fairy and Griffon,1876
Pieta,1876
The Sphinx Defeated,1878
David,1878
Jacob and the Angel,1878
Phaethon,1878
Phoebus and Boreas,1879
St. Elisabeth of Hungary (The Miracle of the Roses),1879
Christ in the Garden,1880
Galatea,1880
Hercules at Lake Stymphalos,1875-1880
Leda,1875-1880
Night,1880
Pasiphae and the Bul,1876-1880
Rea and Captives,1878-1880
Salomé,1880
Sappho in Leucadia,1880
The Dream Haunting the Mogul,1881
The Peacock complaining to Juno,1881
Evening and Sorrow,1882
Giotto,1882
Saint Martin,1882
Saint Michael Vanquishing Satan,1882
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