王珑澔简历
王珑澔，艺术学士，四川美术学院油画专业毕业，天津美术学院油画高研班结业，北京中国当代艺术联盟精神艺术学会会长，中国人民网书画学术委员会委员,中国新野性艺术家，财富精英商会艺术顾问，中国当代艺术联盟成员，“精神艺术空间”创始人，中国导向文化艺术研究院副院长，重庆市美术家协会会员。
2009获得中国艺术家百杰荣誉。
2011年作品参加全国美术书法摄影联展获得全国美术作品二等奖，作品在中国国家博物馆展出。
2012年作品获得政府艺术奖“乌江文艺奖”作品入编2013年和2014年《中国当代艺术文献》。
2015年参加《中国新野性艺术家作品2015世界巡回展》（美国纽约）。
2015年作品参加《威尼斯双年展•创造身份展》（威尼斯）。
2016年获全国《剑胆琴心》美术作品展获一等奖。
2017年作品参加中国当代艺术联盟全国年度展优秀奖（上上国际美术馆）。
2018年全国100万公众投票获选中国最具创造力艺术家荣誉，获全国第二名。
2018年作品入选《中国抽象力量30人邀请展》(艺术世界)。
2018年入选澳洲悉尼特邀中国当代艺术家(澳洲悉尼中外艺术名家书画网)。
2018年作品入编中国艺术专业媒体《中国美术报》。
部分作品先后由国内外艺术机构，基金会，奢侈艺术品俱乐部，企业商会和收藏家收藏。
《王珑澔艺术创作说明》
我提出的科学与艺术精神性艺术创作理论基本艺术观念：艺术与科学是相通的，都是人类对宇宙和生命认识的解读过程，只是方法不同，一种趋于理性一种趋于感性，人类之所以伟大源于其精神性，艺术最需要的是天赋个性，假如沉浸于远离精神的客观物质世界中的经验感受，就注定陷进玩技巧匠人的所谓主流文化，对于追求艺术的精神性呈现而言，探寻宇宙本质和人类内心世界才是艺术创作的目的，精神性艺术创作是以表现宏观世界与微观世界多维度宇宙的艺术，也可以认为是人类追求科学进步的先行者。
王珑澔艺术观及艺术风格赏析
于一 /文
一：王珑澔的艺术观解读
艺术家通过个人独特的精神化艺术风格语言，表达艺术家本人对人性，自然，生死，环境的关注,思考中国文化艺术新思想和新形式, 艺术家本人认为中国艺术在主流风格和总体倾向上应坚持民族的文化根基和内在精神,在后现代主义国际的语境中发掘中国文化艺术的新精神、新生命、新形态，新观念，中国独特时的文化传统底蕴，是追求精神映照的艺术家们艺术创造之根，当下世界先进文化艺术思想是当代艺术发展的思想依托。
艺术家作为艺术创作的主体，生活在不同的历时时代、必然受到时间、空间、地域环境，以及自身等因素的影响而形成艺术家的艺术思想精神反映和个人化的艺术创造风格，由此产生不同的艺术精神和思想和观念，哲学理念和审美取向。后现代艺术趋向精神表达似乎成为人的最好的创造方式或逃避现实方式，成为现代人的选择方式和存在方式。当代艺术成为一种生命与现实的抗争，是人生的精神诉求，而那种将后现代艺术视为反叛社会的“怪兽”，是不客观的和愚蠢的。
后现代艺术精神就是要力图给沉沦于科技文明造成的生存环境日益恶化的非人性化境遇中的人们带来震颤，安慰在异化现象日趋严重的客观世界中吟痛的灵魂，叩问有限生命如何寻得自身的生存价值意义？因为正如柏拉图所说：唯有艺术才能救护正在不断失落的人类感性诗意化生命。后现代艺术不懈求新求异求变，通过艺术以其感悟生命所带来精神理想，这就是后现代艺术中传达出的当代人的艺术精神。
总体上看，每一种文化都有自己的遗传基因。“人的生命意义就在于追问个体存在的意义，否则人与兽的存在方式就没有什么区别了”，人类善于用艺术感性方式进入对精神追求的诠释，这种感性的审美方式区别于其他如哲学、宗教的精神追求方式。
二： 王珑澔的艺术风格解读
当代艺术精神是对现实世界所提出的问题的一种感性的表现，使人在精神和现实穿行于两个时空，达到人格心灵的净化和安慰。当代艺术精神是对现实的权力加以反抗，希望摆脱压制人性自由的意识形态和现实秩序，以精神自由的反抗和发展新艺术技巧形式表现来否定强权和艺术沦为强权者的奴仆，为人类精神开拓出一片艺术自由的新天地，拒绝现实强加于自己的法则和理式，坚持自己对生命和客观世界的理解。
艺术家为自己的艺术取名为“精神性艺术”，事实上它仍然无法解脱与现代主义艺术的联系，只是这种继承与表现是以艺术反叛表现形式的姿态出现的，当一种艺术形式走到极端的时候，必然是一种否定式回归，艺术家认为精神就是艺术表达最高境界，艺术家的作品关注自然和社会和未来，是精神哲学和思想者层面上的绘画，通过视觉艺术形式揭示出隐藏在精神深处的美，附绘画以哲理性和思想性，作品表现的凝重感的画面肌理，是艺术家“感觉到的是一般未被发觉的东西”展示于观众的面前，通过颠覆定势形象来作为强化画面形式达到精神表现的目的。
这种物象变形是远离过去抽象主义对画面形象的变形，突出绘画的独立性，实现了反抗视觉表像上的那种惯性审美取向，从而体现对社会教条的反叛，死亡的不是绘画本身，而是过时的绘画艺术精神和表达语言。
当一种艺术思想和语言由极至而走向贫乏之后，另一种艺术精神和语言必然以反叛者的姿态取而代之，从而推动人类文化艺术向前发展。
2011年10月
王珑澔作品欣赏
Wang long's resume for art
Wang Long f. h., bachelor of arts, graduated from sichuan academy of fine arts painting professional, high oil painting research class certificate of tianjin academy of fine arts, Beijing spirit of the academy of art in Chinese contemporary art alliance, the Chinese people's calligraphy and painting of the academic committee, China's new wild artist, wealth elite art consultant, chamber of commerce member of the association of Chinese contemporary art, art space "spirit" founder, oriented culture and art research institute, vice President of China, chongqing artists association, member of 2009 China artist jay honor, participated in national fine arts calligraphy works in 2011 won the second prize of the national art photography exhibition, works on display in the national museum of China, 2012 art prize "wujiang river literary award" for government, works in 2013 and 2014, the archives of Chinese contemporary art, 2015 new feral 2015 world exhibition of works by artists of the People's Republic of China (New York, USA), in 2015 in the Venice biennale, creating the identity "(Venice), in 2016 won the national fine arts exhibition" the magic bow "won the first prize, in 2017 works in Chinese contemporary art union the national annual exhibition excellence award (best international gallery), In 2018, the country's 1 million people voted as the country's second most creative artist, and some works have been collected by domestic and foreign art institutions, foundations, luxury art clubs, business Chambers and collectors.
Wang Longhao's thought of artistic creation
I put forward the basic artistic conception of the theory of the artistic and artistic creation of science and Art: Art and science are interlinked, all of which are human understanding of the universe an d life, but the methods are different, one tends to be rational and to the sensibility. If immersed in the experience of the objective material world far away from the spirit, it is destined to fall into the so-called mainstream culture of the playing skill craftsman. For the pursuit of artistic spirit, the exploration of the essence of the universe and the inner world of the human is the purpose of artistic creation, and the creation of spiritual art is to show the macro and micro world. The art of multidimensional universes can also be regarded as a forerunner of human pursuit of scientific progress.
Appreciation of Wang Longhao's artistic view and artistic style
Yuyiwen
One: the interpretation of Wang Longhao's view of Art
The artist expresses the attention of the artist himself to human nature, nature, life and death, and the environment through his own unique spiritual art style language, and thinks about the new ideas and new forms of Chinese culture and art. The artist himself holds that Chinese art should adhere to the cultural foundation and inner spirit of the people in the mainstream style and general tendency, and in the post-modernism. The new spirit, new life, new form of Chinese culture and art, new ideas and the cultural tradition in China are the roots of the artistic creation of the artists who are in the pursuit of spiritual reflection. The present world advanced culture and art thought is the ideological support of the development of contemporary art.
As the main body of the artistic creation, the artist lives in different diachronic times, is inevitably influenced by time, space, regional environment, and its own factors, and forms the artistic ideological and spiritual reflection and individualized artistic creation style of the artist, thus producing different artistic spirits and ideas and ideas, philosophic ideas and ideas. Aesthetic orientation. Post modern art tends to be spiritual expression. It seems to be the best way of creation or escape from reality. It has become the way of choice and existence of modern people. Contemporary art has become a struggle between life and reality, the spiritual appeal of life, and the kind of "monster" that regards post-modern art as a rebellious society is not objective and stupid. The spirit of post-modern art is to try to bring tremors to people in the inhuman environment, which is increasingly deteriorating in the environment of scientific and technological civilization, to comfort the soul of the impersonal world in which the phenomenon of alienation is becoming more and more
serious, and to ask how the limited life can find its own value of survival. Because, as Platon said, art is the only way to save human beings' perceptual and poetic life. The post-modern art unremittingly seeks new changes, through art to bring the spiritual ideal of life, which is the artistic spirit of the contemporary people in the post modern art. Generally speaking, every culture has its own genetic genes. "The meaning of human life lies in the pursuit of the meaning of individual existence, otherwise there is no difference between human and animal existence". Human beings are good at using artistic sensibility to enter the interpretation of spiritual pursuit. This perceptual aesthetic way is different from other spiritual pursuits such as philosophy and religion.
Two: aninterpretation of Wang Longhao's artistic style
The spirit ofcontemporary art is a perceptual expression of the questions put forward in thereal world, making people through the spirit and reality of the two time andspace, to achieve the purification and comfort of the personality of the soul.The spirit of contemporary art revolts against the power of reality, hopes toget rid of the ideology and reality order to suppress the freedom of humannature, and denies the servant of the power and art to the power of power bythe manifestation of the rebellion and the development of the new artisticskill in the form of spiritual freedom, and opens up a new world of artisticfreedom for the human spirit and refuses the reality. We must impose ourselveson our laws and principles, and persist in our understanding of life and theobjective world.
The artist names his own art as "spiritual art". In fact, it can not extricate from the connection with modernist art, but this inheritance and expression appears in the form of artistic rebellion. When an art form goes to the extreme, it is bound to be a type of return, the artist thinks that the spirit is Art expresses the highest state. The works of the artist pay attention to nature and society and the future. It is the painting on the spiritual philosophy and the thinker level. Through the visual art form, it reveals the beauty hidden in the deep spirit. The painting is philosophical and thoughtfulness, and the drawing surface texture of the works is the feeling of the artistic expression. Generally, what is not discovered is displayed in front of the audience, and it can be used as a form of intensification to achieve the purpose of mental performance by subverting stereotype. The distortion of this image is from the distortion of the past abstractly to the image of the picture, the independence of the painting, the inertia of the aesthetic orientation against the visual appearance, the rebellion of the social dogma, the death is not the painting itself, but the obsolete spirit of painting and the expression of the language.
When a kind of artistic thought and language is from extreme to poverty, another kind of artistic spirit and language must be replaced by the rebels' attitude, thus promoting the development of human.
culture and art.
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