Reading from p150-p206

In these pages Youngblood mainly discussed Jordan Belson’s art and in the next chapter introduced the relationship between the science and art. I watched some of Belson’s work on the website, he was an avant-garde artist who focused on the dynamic movement of form and color in cinematic area.

Through Youngblood’s description from his concentration, I thought this artist must produce endlessly critical thoughts and emotions during his life. His artwork possessed a power of transmitting the procedure of forming feelings, which made a connection betweeninternality and externality.

Combining with Youngblood’s idea in the following context, I started to think about this question: whether everyone have endlessly abstract thoughts and feelings which need to be expressed? if they do, how they find their identified tools to elaborate them? and how to discriminate whether is part of them? or already the whole of them? Computer and technology have already brought the revolution in cinematic field, but the thinking in expanded cinema concentrates on how the notion of film made and changed, based on the envision of the future technology and extant practice.

For individual, we normally design something and later on, seek to that “work” could reflect our own personality automatically. Technology could define how exactly the “work” could be, but I just couldn’t stop imagining an expression liketelepathy, which won’t be limited by any of technology to convey human’s feeling. That’s gonna be interesting, right?