Day57--Bi Gan's Long Day's Journey Into Night

Bi Gan's Long Day's Journey Into Night

毕赣的漫漫长路

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①Tracking a lovelorn drifter's return to his hometown of Kaili in Southwest China, emerging independent auteur Bi Gan's sophomore feature "Long Day's Journey Into Night" is one long pose featuring a virtuoso long take.

这位处于上升期的独立作者型导演毕赣的第二部剧情长片《地球最后的夜晚》，讲述的是一位失恋的人回归到位于中国西南部贵州凯里的家乡的故事，这部影片突出特征是时间很长，并且采用大师级的长镜头拍法。

②Plunging viewers into an extended dream sequence, the film is a lush plotless mood-piece swimming in artsy references and ostentatious technical exercises,with a star as decoration.

这部电影让观众陷入一个延长的梦境，这是一部充满感官吸引力的没有剧情的偏意识流电影，应用艺术原影和夸张技术手法，并且还用明星做装饰。

③Diehard art-house fans and critics eager to scout new auteurs will deem it an ecstatic,transporting experience, but a general audience expecting to have a basic idea of what they're watching will be left clutching at straws.

艺术院线的死忠粉和急切的想发现新型导演的评论家们将会发现，这部影片将提供狂喜的，令人着迷的观影体验，但普通观众期待知道自己看到的到底是什么，这次可能会看不懂影片讲的是什么。

④Bi's debut "Kaili Blues" stunned the festival circuit with its unusual film language, capped by a bravura 40-minute take.

毕赣的处女座《路边的晚餐》用其特殊的语言震撼了各大电影节，尤其用40分钟的长镜头而备受推崇。

⑤Although made on a shoestring budget, the filmmaking possesses an untamed nature that mirrored the subtropical rural landscapes and the scruffy countryfolk longing for escape.

虽然是小成本制作，电影的拍摄过程却呈现出一种野性的天性，这种野性与电影里呈现的亚热带乡村景象不谋而合，同时也契合导演逃离故土的渴望。

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From YLYK每日英语早餐推送