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我的自述 对于绘画来说真的是一个非常有意思的问题，不用去验血，一查就能知道自己缺什么，而同时当你开始准备工作的时候，在画布与色彩之间形成鲜明的反差的不同程度中，你便知道你内心深处想要说什么的时候到了。找野花吃野味的意义，无非就是，看不一样的面部表情，听不一样的叫床声音，体验不一样的激情，睡不一样的身姿，享受不一样的灵魂，感受不一样的快活。美人不同，味道不同，自由狂欢，虽死无憾。这大概就是我在绘画中的个人体验，非要把我用过的杂物放置在画面里，寻找一种美妙的快感……这是没有做过体验的人无法感悟到的。运用一些破坏的技法，来开始另一种绘画形式的尝试。我不满足于写实形象的绘制，总是在努力尝试，寻找一种既区别于其它画派风格语言，又能在传统绘画中找到突破的那么一种绘画形式。我在宣纸和亚麻面料之间来回转换，以示我对艺术划分的质疑。我的纸本作品约占全部作品的一半，但若把我的布面作品与纸本作品割裂开，则将有损对我绘画整体创作的全面理解。我的这段话阐述了我对具象绘画和非具象绘画的理解：这个把自己打扮成一个归国华侨法国艺术家你画的画还是挺不错的，好吧，就是一点儿乱。稍微带色情。一个中间由你拿着压抑，透露出一种狂躁。还有一个可看性，所以我邀请你参加做一个反面教材。我瞧不起你对不对。你是个狗屁呀，你什么都没有。我蛮享受一个人对我的这段批评。
我必须找到一种方法，马上就能既快速又无拘无束地作画。作品要是能看上去不怎幺差，那就让我挺快乐的，有时能快乐一整天。
有时候对绘画作品的谈论，不仅很难表达，甚至毫无意义。你只能用现有能表达的词汇来表达，再通过语言来传达，而绘画通常跟这些是两码事。
绘画是思维的又一种形式，通常我对绘画所感兴趣的是内容与方法，而不是去理解我所不理解的。这适用于每一幅画。
我生活、睡觉、吃饭都在工作室里，一般画画都在晚上。每当晚上关了灯以后，我的脑子里就会浮现出很多东西，然后我会马上去画，皆尽可能地将自己的感受投注到画面中。我在画第一笔的时候，是没有知觉的，然后跟随自己的潜意识不断在画面中寻找元素，在不知不觉中形成画面关系。绘画和个人的修养息息相关，这与你平时对社会的认知，读书、音乐等联系密切。不论当代还是传统，绘画都有自己独特的语言和内涵，它不需要文字来说明。你将自己的所思所想表现出来，这个画面就是你的语言。伟大的艺术家应该是拥有舒适的生活，财富和安全感。赚大钱活得更久，想上多少女人都可以。但饮酒要适量。绘画是一条漫长而永无休止的路。直到现在，我也没有停止对画画的训练，每天都在画，时刻琢磨着把自己的杂乱不堪的情绪变成现实。这需要很漫长的时间去造化弄人……真是永远也弄不清楚的事情了…… 周克吾谷 2018.5.29
Personal Statement
It's really interesting for painting that you don't have to take a blood test and you will know what you're missing. While you are preparing for starting to work, the time comes when you are aware of what you want to express in your deep heart with the different degrees of contrast between canvas and color.
The meaning of looking for wild flowers and venison is nothing but to look at different facial expressions，hear another sexual moans, enjoy different souls, and feel different joys. Different beauties with different styles, the feeling of freedom makes one’s life with no regrets.
These are my personal experience in painting. I use destructive techniques to try other painting styles. Rather than being a realist, I choose to try hard to find another painting style and expression which can distinguish itself from others and that is a new breakthrough from traditional forms. I switched back and forth between Xuan paper and flax fabric to show my doubts about the art division. In all of my works, 50% are paper works. The separation of cloth and paper works would undermine my overall understanding of painting. The following passage illustrates my understanding between figurative painting and non-figurative painting：
An artist who dressed himself up as an overseas Chinese in France，his works are pretty good, although they are a little messy and pornographic, he added. Because of mania and depression as well as salacity in the works, I invited you to take them as negative study materials. I despise you because you have nothing. Actually, I enjoyed this criticism about me.
I need to find a way that I can draw a picture freely and fast. If the work doesn’t seem too bad, I can be a happy man all day.
Sometimes it’s too hard to express painting works; also you will find that’s meaningless. You can only express your thoughts by using available vocabulary, and then use the language to convey them. However, it has nothing to do with painting.
Painting is another form of thoughts, what I am interested is content and method, not to understand what I don’t understand, and this works for each painting.
I live, sleep and eat in the studio. In the evening, when the lights are off, a lot of inspiration emerged and I will draw it down quickly with all my feelings and passion. But in the first stroke，I have no perceptions. And by following my sub-consciousness to keep looking for elements, the painting is formed as a natural result. Painting is closely related to personal taste and it also connects to your individual cognition about society, reading and music.
No matter its contemporary or traditional, painting has its unique language and connotation beyond words. You show what you think to form your language without explanation. Great artists should have a comfortable life, wealth and security. Besides, making a lot of money, living longer, and fuck as many women as you like. While being moderate in alcohol. Painting is a long and endless road, so I never stop painting. It takes a long time to figure out how to make disordered emotions come true, and that’s a problem will never be solved…
Joke Valley
May 29, 2018
一个好女人，能把男人变成快乐的人；
一个坏女人，能把男人变成哲学家。
——苏格拉
面对独裁专制，所坚持的立场，没有灰色地带。没有两头通吃的人！既保持着艺术的先锋性和学朮性，又能和所谓体制勾勾搭搭。其实就是一个还没找着家的野狗，在城市边上的垃圾堆里捡了一个大盖帽戴上，感觉能和体制对话，谈学朮了。
这种人还不如学院里的教授们，活的真他妈逼的累！
因为我怀疑自己对抽象艺术的疑虑是相当典型的，从而我的讨论足以超越个人经验。那种唯恐错投阵营的担心，在一定情况下也许会得到尊重，但在艺术中，正如我想说明的那样，这种担心可能是灾难性的。它会威胁到艺术，把艺术贬低到仅仅是(对某一阵营)忠诚的标志。
你下午去钙化的时候就给人造成一种。引领。把我们的思维饮料，他那里面去了是不对的，你必须告诉观众。帮我们做绘画作品也是一样，你有自己的权利去审美有自己的想象空间，这就是一个权利。
某日,一商人朋友来找我玩，也是做企业算是有点钱的，大谈某某某的画升值多少多少，他们都后悔当时没有买他的画，我笑了，老资坐在你们面前，你们不卖将来还会更后悔的……这帮龟孙[阴险][阴险][阴险]